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read a review by the Nashville City Paper
CONCORD, NORTH CAROLINA --- The Avett Brothers
are Scott Avett, age 26, and Seth Avett, 22, and Bob Crawford, 32. The
trio plays old-time, foot stompin', front and back porch mountain music
with shades of country and a rock-n-roll attitude. This vocally driven
outfit delivers harmonic punch with true conviction in the same manner as
the Louvin Brothers or the Everly Brothers. ItΉs fun, in-your-face,
acoustic music.
The Avett Brothers bring a
refreshing sound and feeling to today's music scene. The group features
Scott on banjo, lead vocals and stomp drum, Seth on guitar, lead vocals,
stomp cymbal and piano and Bob on stand-up bass and backing vocals. Their
high-energy, tongue in cheek show will put a smile on your face but their
sad and lonesome tunes will surely bring a tear to the eye in both the
young and old.
ItΉs the intensity at which the Avetts pour
their angst, heartache, humor and love into each show that is captivating
audiences across the country. They are currently on a nationwide,
coast-to-coast tour performing in bars, restaurants, theatres, coffee
houses, and street corners of Anytown, U.S.A.
"When people hear what we're saying in our songs and listening to things
for the right reasons - when they get quiet when we're playing - it's a
blessing. To know that somebody has a problem in their life that we can
temporarily soothe --- that's what it's all about," says Scott with an
infectious grin.
The Avett Brothers have set their
sights high in terms of goals for their music. But beyond just selling
records, touring endlessly, and winning over new fans, the Avett Brothers
hope to continue to create music that will provoke thought, change
perceptions and simply bring something new and refreshing into this world.
Starting an acoustic revolution isn't too much to hope for. Right?
The Avett Brothers, on their new album:
Mignonette
Our new album offers what we hope to be a
musical statement in honesty. It's not to say that all the songs are
literally about truth, but we hope that a notion of truth will be felt by
whoever listens to it. To us, it seems that this is a feeling that comes
across in all the best music, in all the music that stays in a person's
heart. It is this honesty that gives someone an actual love, a bond with
a song, or with a record. Mignonette is an album that carries an overall
theme of truth. In some parts, there are specific passages relating
directly to it.
For example, the closing track on the album,
called Salvation Song', contains a chorus, which speaks to an extremely
universal audience. The lyric takes on the immense task of declaring a
purpose, attempting to give solid answers as to why we live at all: " We
came for salvation. We came for family. We came for all that's good.
That's how we'll walk away. We came to break the bad. We came to cheer
the sad. We came to leave behind the world a better way." These lines are
approaching the most honest, most stripped - down manner in which we could
describe our desire, the things that matter to us, not only as a band, but
as living, breathing people. There are other, even more direct lines in
the theme of honesty on the album.
On the
16th track, entitled 'A Gift for Melody Anne', we sing: " I just want my
life to be true, and I just want my heart to be true, and I just want my
words to be true, and just want my song to be true." It could be said,
that at times, subtlety is not our strength. In its place you may find a
hopeful clarity, and solidity largely unknown in the world of popular
music. We do not pretend to have it all figured out, though we do hope to
at least know what and why we are singing. As songwriters, we do not feel
a need to keep our sound stylistically confined to any certain genre.
There is never the idea that a song should not be played because it
doesn't fit into a previously thought - of Avett Brothers box. This being
the case, the new album holds some feelings and some sounds that we have
not felt or heard up until now.
Mignonette is just under 74 minutes long.
An album of this scale is ambitious in any forum. And for those that are
this long, most sacrifice quality for quantity. There is, however, no
sacrifice that decreases the artistic merit of this album. We put
everything we have to offer in every song, a hundred percent on every
track. We feel and hope that this will be evident for anyone who takes
those valuable moments to listen.
We have been called a traveling
celebration. This a great compliment for us, one that we feel is true, in
a fairly broad sense. A lot of times, we probably look like exactly that,
a celebration. There are only three of us, but we are always playing 5or 6
instruments, existing on the stage in a kind of rhythmic whirlwind. In
this way, there is a ragged kind of wildness about our shows, that
musically charges the foundations of more lively, erratic, and
boot-stomping music. The other part of the celebration is one that
celebrates life itself, with the intention of encompassing its less than
lively aspects; the parts like sadness, and heartache, and weakness, and
regret. These things find there way into our live show as well,
complimented with textures more becoming of their general feel, with sad
melodies, and tones that remind the audience of harder times. What can be
said without reserve about our shows is that we put everything we have
into them, and this is what we will continue to do.
Read what the Industry is saying about the Avett Brothers!
"O Brother! The Avett Brothers, out of Concord,
N.C., make harmony-drenched country music in the spirit of the Louvin
Brothers and deliver it with the energy of the Stinson Brothers. But it's
their exceptionally strong writing that's most likely to separate the
Avetts from much of the alt-country pack."
The Independent Weekly
"The live-wire, old-time-country-inspired music
of the Avett Brothers is bursting with the same exhilarating spirit of
discovery as Uncle Tupelo's MARCH 16-20, 1992 and the Gourds' DEM'S GOOD
BEEBLE."
Rick Cornell, No Depression Magazine
"If one were to take the turbo-acoustic energy
of the Violent Femmes and marry it to Uncle Tupelo's stripped-down "March
16-20, 1992" album, the end result would sound something like the old-time
country porch n' roll of Concord, N.C.'s Avett Brothers."
Kevin Oliver, Country Standard Time
"If Gid Tanner & the Skillet Lickers came up in
today's musical environment, they'd probably sound a lot like the Avetts
-- a wild ride down a mountain road with only one hand on the wheel, the
other wrapped around a likker jar."
Woody Mitchell, The Charlotte Observer
"The Avett Brothers' music is infused with
everything that makes music so great. It's natural and real,
simultaenously soothing yet rocking enough to get you all fired up. These
guys realize the power of music and they take it seriously, feeling every
single word that comes from their mouths and every single note that strums
out of their fingers."
Silas House, Music Journalist
"Love Like The Movies" fits us like a
glove...²"
Stan Edwards, Program Director, Country Bear Radio
"Scott and Seth Avett's harmonies on their
second full-player proper, A Carolina Jubilee, work like an old muscle car
that takes forever to crank but -- once the pistons start firing -- eats
up the highway with gusto. Like the brothers' harmonies, it's live-wire
stuff. Who knew acoustic music could sound so electrifying?" It's music
that's not so much concerned with the dichotomy between Saturday night and
Sunday morning as it is with those days where everything changes suddenly
-- like a breakup or meeting someone who sweeps you off your feet -- and
the rest of your life. True, stripped-down front porch country with a
Piedmont blues twist, with enough sharp edges to make Steve Albini stand
up and applaud."
Tim Davis, The Creative Loafing
"Their live act is like a bluegrass version of
the early Who."
Mark Price, The Charlotte Observer
"The Avett Brothers have a unique hillbilly
sound that will surely lead them to the Opry stage before long."
Billy Block, Western Beat

visit The Avett
Brothers' official website
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